{"id":954,"date":"2020-11-25T11:36:45","date_gmt":"2020-11-25T11:36:45","guid":{"rendered":"https:\/\/umusic.ie\/backend\/?post_type=news&#038;p=954"},"modified":"2021-03-08T14:09:05","modified_gmt":"2021-03-08T14:09:05","slug":"grammy-nominations-2021-the-full-list","status":"publish","type":"music-news","link":"https:\/\/umusic.ie\/backend\/music-news\/grammy-nominations-2021-the-full-list\/","title":{"rendered":"Grammy Nominations 2021 -The Full List"},"content":{"rendered":"","protected":false},"featured_media":0,"template":"","tags":[413,412,163,355],"category_post":[349],"acf":{"intro_copy":"2020 was a tough year all round, but musically, it's been incredible. Check out some of the nominees for 2021's Grammy awards!","smudge":false,"section_news":[{"acf_fc_layout":"copy_image","image":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys.jpg","image_orientation":"landscape","copy":"<p>This year was one of the most interesting years for music you could imagine. Artists stopped touring and spent time focusing on writing, recording, and producing new music. We&#8217;ve had an incredible array of albums this year, from Lady Gaga, to Taylor Swift.<\/p>\n<p>Check out the full list of nominees below.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>1. Record Of The Year<\/strong><\/p>\n<ul>\n<li>BLACK PARADE<br \/>\nBeyonc\u00e9<\/li>\n<li>COLORS<br \/>\nBlack Pumas<\/li>\n<li>ROCKSTAR<br \/>\nDaBaby Featuring Roddy Ricch<\/li>\n<li>SAY SO<br \/>\nDoja Cat<\/li>\n<li>EVERYTHING I WANTED<br \/>\nBillie Eilish<\/li>\n<li>DON&#8217;T START NOW<br \/>\nDua Lipa<\/li>\n<li>CIRCLES<br \/>\nPost Malone<\/li>\n<li>SAVAGE<br \/>\nMegan Thee Stallion Featuring Beyonc\u00e9<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>2. Album Of The Year<\/strong><\/p>\n<ul>\n<li>CHILOMBO<br \/>\nJhen\u00e9 Aiko<\/li>\n<li>BLACK PUMAS (DELUXE EDITION)<br \/>\nBlack Pumas<\/li>\n<li>EVERYDAY LIFE<br \/>\nColdplay<\/li>\n<li>DJESSE VOL.3<br \/>\nJacob Collier<\/li>\n<li>WOMEN IN MUSIC PT. III<br \/>\nHAIM<\/li>\n<li>FUTURE NOSTALGIA<br \/>\nDua Lipa<\/li>\n<li>HOLLYWOOD&#8217;S BLEEDING<br \/>\nPost Malone<\/li>\n<li>FOLKLORE<br \/>\nTaylor Swift<\/li>\n<\/ul>\n<p><strong>Song Of The Year<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BLACK PARADE<br \/>\nDenisia Andrews, Beyonc\u00e9, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim &#8220;Kaydence&#8221; Krysiuk &amp; Rickie &#8220;Caso&#8221; Tice, songwriters (Beyonc\u00e9)<\/li>\n<li>THE BOX<br \/>\nSamuel Gloade &amp; Rodrick Moore, songwriters (Roddy Ricch)<\/li>\n<li>CARDIGAN<br \/>\nAaron Dessner &amp; Taylor Swift, songwriters (Taylor Swift)<\/li>\n<li>CIRCLES<br \/>\nLouis Bell, Adam Feeney, Kaan Gunesberk, Austin Post &amp; Billy Walsh, songwriters (Post Malone)<\/li>\n<li>DON&#8217;T START NOW<br \/>\nCaroline Ailin, Ian Kirkpatrick, Dua Lipa &amp; Emily Warren, songwriters (Dua Lipa)<\/li>\n<li>EVERYTHING I WANTED<br \/>\nBillie Eilish O&#8217;Connell &amp; Finneas O&#8217;Connell, songwriters (Billie Eilish)<\/li>\n<li>I CAN&#8217;T BREATHE<br \/>\nDernst Emile II, H.E.R. &amp; Tiara Thomas, songwriters (H.E.R.)<\/li>\n<li>IF THE WORLD WAS ENDING<br \/>\nJulia Michaels &amp; JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)<\/li>\n<\/ul>\n<p><strong>4. Best New Artist<\/strong><br \/>\n<em>This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.<\/em><\/p>\n<ul>\n<li>INGRID ANDRESS<\/li>\n<li>PHOEBE BRIDGERS<\/li>\n<li>CHIKA<\/li>\n<li>NOAH CYRUS<\/li>\n<li>D SMOKE<\/li>\n<li><a id=\"1\" name=\"1\"><\/a>DOJA CAT<\/li>\n<li>KAYTRANADA<\/li>\n<li>MEGAN THEE STALLION<\/li>\n<\/ul>\n<h1>POP<\/h1>\n<p><strong>5. Best Pop Solo Performance<\/strong><br \/>\n<em>For new vocal or instrumental pop recordings. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>YUMMY<br \/>\nJustin Bieber<\/li>\n<li>SAY SO<br \/>\nDoja Cat<\/li>\n<li>EVERYTHING I WANTED<br \/>\nBillie Eilish<\/li>\n<li>DON&#8217;T START NOW<br \/>\nDua Lipa<\/li>\n<li>WATERMELON SUGAR<br \/>\nHarry Styles<\/li>\n<li>CARDIGAN<br \/>\nTaylor Swift<\/li>\n<\/ul>\n<p><strong>6. Best Pop Duo\/Group Performance<\/strong><br \/>\n<em>For new vocal or instrumental duo\/group or collaborative pop recordings. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>UN DIA (ONE DAY)<br \/>\nJ Balvin, Dua Lipa, Bad Bunny &amp; Tainy<\/li>\n<li>INTENTIONS<br \/>\nJustin Bieber Featuring Quavo<\/li>\n<li>DYNAMITE<br \/>\nBTS<\/li>\n<li>RAIN ON ME<br \/>\nLady Gaga with Ariana Grande<\/li>\n<li>EXILE<br \/>\nTaylor Swift Featuring Bon Iver<\/li>\n<\/ul>\n<p><strong>7. Best Traditional Pop Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new traditional pop recordings.<\/em><\/p>\n<ul>\n<li>BLUE UMBRELLA<br \/>\n(Burt Bacharach &amp;) Daniel Tashian<\/li>\n<li>TRUE LOVE: A CELEBRATION OF COLE PORTER<br \/>\nHarry Connick, Jr.<\/li>\n<li>AMERICAN STANDARD<br \/>\nJames Taylor<\/li>\n<li>UNFOLLOW THE RULES<br \/>\nRufus Wainwright<\/li>\n<li>JUDY<br \/>\nRen\u00e9e Zellweger<\/li>\n<\/ul>\n<p><strong>8. Best Pop Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new pop vocal recordings.<\/em><\/p>\n<ul>\n<li>CHANGES<br \/>\nJustin Bieber<\/li>\n<li>CHROMATICA<br \/>\nLady Gaga<\/li>\n<li>FUTURE NOSTALGIA<br \/>\nDua Lipa<\/li>\n<li><a id=\"2\" name=\"2\"><\/a>FINE LINE<br \/>\nHarry Styles<\/li>\n<li>FOLKLORE<br \/>\nTaylor Swift<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Best Dance Recording<\/strong><br \/>\n<em>For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.<\/em><\/p>\n<ul>\n<li>ON MY MIND<br \/>\nDiplo &amp; SIDEPIECE<br \/>\nDiplo &amp; SIDEPIECE, producers; Luca Pretolesi, mixer<\/li>\n<li>MY HIGH<br \/>\nDisclosure Featuring Amin\u00e9 &amp; Slowthai<br \/>\nGuy Lawrence &amp; Howard Lawrence, producers; Guy Lawrence, mixer<\/li>\n<li>THE DIFFERENCE<br \/>\nFlume Featuring Toro y Moi<br \/>\nFlume, producer; Eric J Dubowsky, mixer<\/li>\n<li>BOTH OF US<br \/>\nJayda G<br \/>\nFred Again.. &amp; Jayda G, producers; Fred Again.. &amp; Jayda G, mixers<\/li>\n<li>10%<br \/>\nKaytranada Featuring Kali Uchis<br \/>\nKaytranada, producer; Neal H. Pogue, mixer<\/li>\n<\/ul>\n<p><strong>10. Best Dance\/Electronic Album<\/strong><br \/>\n<em>For vocal or instrumental albums. Albums only.<\/em><\/p>\n<ul>\n<li>KICK I<br \/>\nArca<\/li>\n<li>PLANET&#8217;S MAD<br \/>\nBaauer<\/li>\n<li>ENERGY<br \/>\nDisclosure<\/li>\n<li><a id=\"3\" name=\"3\"><\/a>BUBBA<br \/>\nKaytranada<\/li>\n<li>GOOD FAITH<br \/>\nMadeon<\/li>\n<\/ul>\n<h1>CONTEMPORARY INSTRUMENTAL MUSIC<\/h1>\n<p><strong>11. Best Contemporary Instrumental Album<\/strong><br \/>\n<em>For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.<\/em><\/p>\n<ul>\n<li>AXIOM<br \/>\nChristian Scott Atunde Adjuah<\/li>\n<li>CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARD<br \/>\nJon Batiste<\/li>\n<li>TAKE THE STAIRS<br \/>\nBlack Violin<\/li>\n<li><a id=\"4\" name=\"4\"><\/a>AMERICANA<br \/>\nGr\u00e9goire Maret, Romain Collin &amp; Bill Frisell<\/li>\n<li>LIVE AT THE ROYAL ALBERT HALL<br \/>\nSnarky Puppy<\/li>\n<\/ul>\n<h1>ROCK<\/h1>\n<p><strong>12. Best Rock Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo, duo\/group or collaborative rock recordings.<\/em><\/p>\n<ul>\n<li>SHAMEIKA<br \/>\nFiona Apple<\/li>\n<li>NOT<br \/>\nBig Thief<\/li>\n<li>KYOTO<br \/>\nPhoebe Bridgers<\/li>\n<li>THE STEPS<br \/>\nHAIM<\/li>\n<li>STAY HIGH<br \/>\nBrittany Howard<\/li>\n<li>DAYLIGHT<br \/>\nGrace Potter<\/li>\n<\/ul>\n<p><strong>13. Best Metal Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo, duo\/group or collaborative metal recordings.<\/em><\/p>\n<ul>\n<li>BUM-RUSH<br \/>\nBody Count<\/li>\n<li>UNDERNEATH<br \/>\nCode Orange<\/li>\n<li>THE IN-BETWEEN<br \/>\nIn This Moment<\/li>\n<li>BLOODMONEY<br \/>\nPoppy<\/li>\n<li>EXECUTIONER&#8217;S\u00a0TAX (SWING OF THE AXE)\u00a0\u2013 LIVE<br \/>\nPower Trip<\/li>\n<\/ul>\n<p><strong>14. Best Rock Song<\/strong><br \/>\n<em>A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>KYOTO<br \/>\nPhoebe Bridgers, Morgan Nagler &amp; Marshall Vore, songwriters (Phoebe Bridgers)<\/li>\n<li>LOST IN\u00a0YESTERDAY<br \/>\nKevin Parker, songwriter (Tame Impala)<\/li>\n<li>NOT<br \/>\nAdrianne Lenker, songwriter (Big Thief)<\/li>\n<li>SHAMEIKA<br \/>\nFiona Apple, songwriter (Fiona Apple)<\/li>\n<li>STAY HIGH<br \/>\nBrittany Howard, songwriter (Brittany Howard)<\/li>\n<\/ul>\n<p><strong>15. Best Rock Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new rock, hard rock or metal recordings.<\/em><\/p>\n<ul>\n<li>A HERO&#8217;S DEATH<br \/>\nFontaines D.C.<\/li>\n<li>KIWANUKA<br \/>\nMichael Kiwanuka<\/li>\n<li>DAYLIGHT<br \/>\nGrace Potter<\/li>\n<li><a id=\"5\" name=\"5\"><\/a>SOUND &amp; FURY<br \/>\nSturgill Simpson<\/li>\n<li>THE NEW ABNORMAL<br \/>\nThe Strokes<\/li>\n<\/ul>\n<h1>ALTERNATIVE<\/h1>\n<p><strong>16. Best Alternative Music Album<\/strong><br \/>\n<em>Vocal or Instrumental.<\/em><\/p>\n<ul>\n<li>FETCH THE BOLT CUTTERS<br \/>\nFiona Apple<\/li>\n<li>HYPERSPACE<br \/>\nBeck<\/li>\n<li>PUNISHER<br \/>\nPhoebe Bridgers<\/li>\n<li><a id=\"6\" name=\"6\"><\/a>JAIME<br \/>\nBrittany Howard<\/li>\n<li>THE SLOW RUSH<br \/>\nTame Impala<\/li>\n<\/ul>\n<h1>R&amp;B<\/h1>\n<p><strong>17. Best R&amp;B Performance<\/strong><br \/>\n<em>For new vocal or instrumental R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>LIGHTNING &amp; THUNDER<br \/>\nJhen\u00e9 Aiko Featuring John Legend<\/li>\n<li>BLACK PARADE<br \/>\nBeyonc\u00e9<\/li>\n<li>ALL I NEED<br \/>\nJacob Collier Featuring Mahalia &amp; Ty Dolla $ign<\/li>\n<li>GOAT HEAD<br \/>\nBrittany Howard<\/li>\n<li>SEE ME<br \/>\nEmily King<\/li>\n<\/ul>\n<p><strong>18. Best Traditional R&amp;B Performance<\/strong><br \/>\n<em>For new vocal or instrumental traditional R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>SIT ON DOWN<br \/>\nThe Baylor Project Featuring Jean Baylor &amp; Marcus Baylor<\/li>\n<li>WONDER WHAT SHE THINKS OF ME<br \/>\nChloe X Halle<\/li>\n<li>LET ME GO<br \/>\nMykal Kilgore<\/li>\n<li>ANYTHING FOR YOU<br \/>\nLedisi<\/li>\n<li>DISTANCE<br \/>\nYebba<\/li>\n<\/ul>\n<p><strong>19. Best R&amp;B Song<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BETTER THAN I IMAGINE<br \/>\nRobert Glasper, Meshell Ndegeocello &amp; Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. &amp; Meshell Ndegeocello)<\/li>\n<li>BLACK PARADE<br \/>\nDenisia Andrews, Beyonc\u00e9, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim &#8220;Kaydence&#8221; Krysiuk &amp; Rickie &#8220;Caso&#8221; Tice, songwriters (Beyonc\u00e9)<\/li>\n<li>COLLIDE<br \/>\nSam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar &amp; Benedetto Rotondi, songwriters (Tiana Major9 &amp; EARTHGANG)<\/li>\n<li>DO IT<br \/>\nChloe Bailey, Halle Bailey, Anton Kuhl, Victoria Mon\u00e9t, Scott Storch &amp; Vincent Van Den Ende, songwriters (Chloe X Halle)<\/li>\n<li>SLOW DOWN<br \/>\nNasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson &amp; Gabriella Wilson, songwriters (Skip Marley &amp; H.E.R.)<\/li>\n<\/ul>\n<p><strong>20. Best Progressive R&amp;B Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&amp;B.<\/em><\/p>\n<ul>\n<li>CHILOMBO<br \/>\nJhen\u00e9 Aiko<\/li>\n<li>UNGODLY HOUR<br \/>\nChloe X Halle<\/li>\n<li>FREE NATIONALS<br \/>\nFree Nationals<\/li>\n<li>F*** YO\u00a0FEELINGS<br \/>\nRobert Glasper<\/li>\n<li>IT IS WHAT IT IS<br \/>\nThundercat<\/li>\n<\/ul>\n<p><strong>21. Best R&amp;B Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>HAPPY 2 BE\u00a0HERE<br \/>\nAnt Clemons<\/li>\n<li>TAKE TIME<br \/>\nGiveon<\/li>\n<li>TO\u00a0FEEL LOVE\/D<br \/>\nLuke James<\/li>\n<li><a id=\"7\" name=\"7\"><\/a>BIGGER LOVE<br \/>\nJohn Legend<\/li>\n<li>ALL\u00a0RISE<br \/>\nGregory Porter<\/li>\n<\/ul>\n<h1>RAP<\/h1>\n<p><strong>22. Best Rap Performance<\/strong><br \/>\n<em>For a Rap performance. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>DEEP REVERENCE<br \/>\nBig Sean Featuring Nipsey Hussle<\/li>\n<li>BOP<br \/>\nDaBaby<\/li>\n<li>WHAT&#8217;S POPPIN<br \/>\nJack Harlow<\/li>\n<li>THE BIGGER PICTURE<br \/>\nLil Baby<\/li>\n<li>SAVAGE<br \/>\nMegan Thee Stallion Featuring Beyonc\u00e9<\/li>\n<li>DIOR<br \/>\nPop Smoke<\/li>\n<\/ul>\n<p><strong>23. Best Melodic Rap Performance<\/strong><br \/>\n<em>For a solo or collaborative performance containing both elements of R&amp;B melodies and Rap.<\/em><\/p>\n<ul>\n<li>ROCKSTAR<br \/>\nDaBaby Featuring Roddy Ricch<\/li>\n<li>LAUGH NOW, CRY LATER<br \/>\nDrake Featuring Lil Durk<\/li>\n<li>LOCKDOWN<br \/>\nAnderson .Paak<\/li>\n<li>THE BOX<br \/>\nRoddy Ricch<\/li>\n<li>HIGHEST IN THE ROOM<br \/>\nTravis Scott<\/li>\n<\/ul>\n<p><strong>24. Best Rap Song<\/strong><br \/>\n<em>A Songwriter(s) Award. \u00a0A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..<\/em><\/p>\n<ul>\n<li>THE BIGGER PICTURE<br \/>\nDominique Jones, Noah Pettigrew &amp; Rai&#8217;shaun Williams, songwriters (Lil Baby)<\/li>\n<li>THE BOX<br \/>\nSamuel Gloade &amp; Rodrick Moore, songwriters (Roddy Ricch)<\/li>\n<li>LAUGH NOW, CRY LATER<br \/>\nDurk Banks, Rog\u00e9t Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour &amp; Ryan Martinez, songwriters (Drake Featuring Lil Durk)<\/li>\n<li>ROCKSTAR<br \/>\nJonathan Lyndale Kirk, Ross Joseph Portaro IV &amp; Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch)<\/li>\n<li>SAVAGE<br \/>\nBeyonc\u00e9, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe &amp; Anthony White, songwriters (Megan Thee Stallion Featuring Beyonc\u00e9)<\/li>\n<\/ul>\n<p><strong>25. Best Rap Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new rap recordings.<\/em><\/p>\n<ul>\n<li>BLACK HABITS<br \/>\nD SMOKE<\/li>\n<li>ALFREDO<br \/>\nFreddie Gibbs &amp; The Alchemist<\/li>\n<li>A WRITTEN TESTIMONY<br \/>\nJay Electronica<\/li>\n<li><a id=\"8\" name=\"8\"><\/a>KING&#8217;S DISEASE<br \/>\nNas<\/li>\n<li>THE ALLEGORY<br \/>\nRoyce Da 5\u20199&#8243;<\/li>\n<\/ul>\n<h1>COUNTRY<\/h1>\n<p><strong>26. Best Country Solo Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo country recordings.<\/em><\/p>\n<ul>\n<li>Stick That In Your Country Song<br \/>\nEric Church<\/li>\n<li>WHO YOU THOUGHT I WAS<br \/>\nBrandy Clark<\/li>\n<li>WHEN MY AMY PRAYS<br \/>\nVince Gill<\/li>\n<li>BLACK LIKE ME<br \/>\nMickey Guyton<\/li>\n<li>BLUEBIRD<br \/>\nMiranda Lambert<\/li>\n<\/ul>\n<p><strong>27. Best Country Duo\/Group Performance<\/strong><br \/>\n<em>For new vocal or instrumental duo\/group or collaborative country recordings.<\/em><\/p>\n<ul>\n<li>ALL NIGHT<br \/>\nBrothers Osborne<\/li>\n<li>10,000 HOURS<br \/>\nDan + Shay &amp; Justin Bieber<\/li>\n<li>OCEAN<br \/>\nLady A<\/li>\n<li>SUGAR COAT<br \/>\nLittle Big Town<\/li>\n<li>SOME PEOPLE DO<br \/>\nOld Dominion<\/li>\n<\/ul>\n<p><strong>28. Best Country Song<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BLUEBIRD<br \/>\nLuke Dick, Natalie Hemby &amp; Miranda Lambert, songwriters (Miranda Lambert)<\/li>\n<li>THE BONES<br \/>\nMaren Morris, Jimmy Robbins &amp; Laura Veltz, songwriters (Maren Morris)<\/li>\n<li>CROWDED TABLE<br \/>\nBrandi Carlile, Natalie Hemby &amp; Lori McKenna, songwriters (The Highwomen)<\/li>\n<li>MORE HEARTS THAN MINE<br \/>\nIngrid Andress, Sam Ellis &amp; Derrick Southerland, songwriters (Ingrid Andress)<\/li>\n<li>SOME PEOPLE DO<br \/>\nJesse Frasure, Shane McAnally, Matthew Ramsey &amp; Thomas Rhett, songwriters (Old Dominion)<\/li>\n<\/ul>\n<p><strong>29. Best Country Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new country recordings.<\/em><\/p>\n<ul>\n<li>LADY LIKE<br \/>\nIngrid Andress<\/li>\n<li>YOUR LIFE IS A RECORD<br \/>\nBrandy Clark<\/li>\n<li>WILDCARD<br \/>\nMiranda Lambert<\/li>\n<li><a id=\"9\" name=\"9\"><\/a>NIGHTFALL<br \/>\nLittle Big Town<\/li>\n<li>NEVER WILL<br \/>\nAshley McBryde<\/li>\n<\/ul>\n<h1>NEW AGE<\/h1>\n<p><strong>30. Best New Age Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental new age recordings.<\/em><\/p>\n<ul>\n<li>SONGS FROM THE BARDO<br \/>\nLaurie Anderson, Tenzin Choegyal &amp; Jesse Paris Smith<\/li>\n<li>PERIPHERY<br \/>\nPriya Darshini<\/li>\n<li>FORM\/\/LESS<br \/>\nSuperposition<\/li>\n<li><a id=\"10\" name=\"10\"><\/a>MORE GUITAR STORIES<br \/>\nJim &#8220;Kimo&#8221; West<\/li>\n<li>MEDITATIONS<br \/>\nCory Wong &amp; Jon Batiste<\/li>\n<\/ul>\n<h1>JAZZ<\/h1>\n<p><strong>31. Best Improvised Jazz Solo<\/strong><br \/>\n<em>For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter&#8217;s name is in parenthesis for identification. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>GUINEVERE<br \/>\nChristian Scott Atunde Adjuah, soloist<br \/>\nTrack from: Axiom<\/li>\n<li>PACHAMAMA<br \/>\nRegina Carter, soloist<br \/>\nTrack from: Ona (Thana Alexa)<\/li>\n<li>CELIA<br \/>\nGerald Clayton, soloist<\/li>\n<li>ALL BLUES<br \/>\nChick Corea, soloist<br \/>\nTrack from: Trilogy 2 (Chick Corea, Christian McBride &amp; Brian Blade)<\/li>\n<li>MOE HONK<br \/>\nJoshua Redman, soloist<br \/>\nTrack from: RoundAgain (Redman Mehldau McBride Blade)<\/li>\n<\/ul>\n<p><strong>32. Best Jazz Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal jazz recordings.<\/em><\/p>\n<ul>\n<li>ONA<br \/>\nThana Alexa<\/li>\n<li>SECRETS ARE THE BEST STORIES<br \/>\nKurt Elling Featuring Danilo P\u00e9rez<\/li>\n<li>MODERN ANCESTORS<br \/>\nCarmen Lundy<\/li>\n<li>HOLY ROOM: LIVE AT ALTE OPER<br \/>\nSomi With Frankfurt Radio Big Band<\/li>\n<li>WHAT&#8217;S THE HURRY<br \/>\nKenny Washington<\/li>\n<\/ul>\n<p><strong>33. Best Jazz Instrumental Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new instrumental jazz recordings.<\/em><\/p>\n<ul>\n<li>ON THE TENDER SPOT OF EVERY CALLOUSED MOMENT<br \/>\nAmbrose Akinmusire<\/li>\n<li>WAITING GAME<br \/>\nTerri Lyne Carrington And Social Science<\/li>\n<li>HAPPENING: LIVE AT THE VILLAGE VANGUARD<br \/>\nGerald Clayton<\/li>\n<li>TRILOGY 2<br \/>\nChick Corea, Christian McBride &amp; Brian Blade<\/li>\n<li>ROUNDAGAIN<br \/>\nRedman Mehldau McBride Blade<\/li>\n<\/ul>\n<p><strong>34. Best Large Jazz Ensemble Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new ensemble jazz recordings.<\/em><\/p>\n<ul>\n<li>DIALOGUES ON RACE<br \/>\nGregg August<\/li>\n<li>MONK&#8217;ESTRA PLAYS JOHN BEASLEY<br \/>\nJohn Beasley<\/li>\n<li>THE INTANGIBLE BETWEEN<br \/>\nOrrin Evans And The Captain Black Big Band<\/li>\n<li>SONGS YOU LIKE A LOT<br \/>\nJohn Hollenbeck With Theo Bleckmann, Kate McGarry, Gary Versace And The Frankfurt Radio Big Band<\/li>\n<li>DATA LORDS<br \/>\nMaria Schneider Orchestra<\/li>\n<\/ul>\n<p><strong>35. Best Latin Jazz Album<\/strong><br \/>\n<em>For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.<\/em><\/p>\n<ul>\n<li>TRADICIONES<br \/>\nAfro-Peruvian Jazz Orchestra<\/li>\n<li>FOUR QUESTIONS<br \/>\nArturo O&#8217;Farrill &amp; The Afro Latin Jazz Orchestra<\/li>\n<li>CITY OF DREAMS<br \/>\nChico Pinheiro<\/li>\n<li><a id=\"11\" name=\"11\"><\/a>VIENTO Y TIEMPO &#8211; LIVE AT BLUE NOTE TOKYO<br \/>\nGonzalo Rubalcaba &amp; Aym\u00e9e Nuviola<\/li>\n<li>TRANE&#8217;S DELIGHT<br \/>\nPoncho Sanchez<\/li>\n<\/ul>\n<h1>GOSPEL\/CONTEMPORARY CHRISTIAN MUSIC<\/h1>\n<p><strong>36. Best Gospel Performance\/Song<\/strong><br \/>\n<em>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.<\/em><\/p>\n<ul>\n<li>WONDERFUL IS YOUR NAME<br \/>\nMelvin Crispell III<\/li>\n<li>RELEASE (LIVE)<br \/>\nRicky Dillard Featuring Tiff Joy; David Frazier, songwriter<\/li>\n<li>COME TOGETHER<br \/>\nRodney &#8220;Darkchild&#8221; Jerkins Presents: The Good News; Lashawn Daniels, Rodney Jerkins, Lecrae Moore &amp; Jazz Nixon, songwriters<\/li>\n<li>WON&#8217;T LET GO<br \/>\nTravis Greene; Travis Greene, songwriter<\/li>\n<li>MOVIN&#8217; ON<br \/>\nJonathan McReynolds &amp; Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard &amp; Terrell Demetrius Wilson, songwriters<\/li>\n<\/ul>\n<p><strong>37. Best Contemporary Christian Music Performance\/Song<\/strong><br \/>\n<em>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap\/hip-hop, Latin, or rock.<\/em><\/p>\n<ul>\n<li>THE BLESSING (LIVE)<br \/>\nKari Jobe, Cody Carnes &amp; Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes &amp; Steven Furtick, songwriters<\/li>\n<li>SUNDAY MORNING<br \/>\nLecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore &amp; Nathanael Saint-Fleur, songwriters<\/li>\n<li>HOLY WATER<br \/>\nWe The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash &amp; Scott Cash, songwriters<\/li>\n<li>FAMOUS FOR (I BELIEVE)<br \/>\nTauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer &amp; Tauren Wells, songwriters<\/li>\n<li>THERE WAS JESUS<br \/>\nZach Williams &amp; Dolly Parton; Casey Beathard, Jonathan Smith &amp; Zach Williams, songwriters<\/li>\n<\/ul>\n<p><strong>38. Best Gospel Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary\/R&amp;B gospel music recordings.<\/em><\/p>\n<ul>\n<li>2ECOND WIND: READY<br \/>\nAnthony Brown &amp; group therAPy<\/li>\n<li>MY TRIBUTE<br \/>\nMyron Butler<\/li>\n<li>CHOIRMASTER<br \/>\nRicky Dillard<\/li>\n<li>GOSPEL ACCORDING TO PJ<br \/>\nPJ Morton<\/li>\n<li>KIERRA<br \/>\nKierra Sheard<\/li>\n<\/ul>\n<p><strong>39. Best Contemporary Christian Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap\/hip hop, Latin, or rock recordings.<\/em><\/p>\n<ul>\n<li>RUN TO THE FATHER<br \/>\nCody Carnes<\/li>\n<li>ALL OF MY BEST FRIENDS<br \/>\nHillsong Young &amp; Free<\/li>\n<li>HOLY WATER<br \/>\nWe The Kingdom<\/li>\n<li>CITIZEN OF HEAVEN<br \/>\nTauren Wells<\/li>\n<li>JESUS IS KING<br \/>\nKanye West<\/li>\n<\/ul>\n<p><strong>40. Best Roots Gospel Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, traditional\/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.<\/em><\/p>\n<ul>\n<li>BEAUTIFUL DAY<br \/>\nMark Bishop<\/li>\n<li>20\/20<br \/>\nThe Crabb Family<\/li>\n<li>WHAT CHRISTMAS REALLY MEANS<br \/>\nThe Erwins<\/li>\n<li><a id=\"12\" name=\"12\"><\/a>CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM)<br \/>\nFisk Jubilee Singers<\/li>\n<li>SOMETHING BEAUTIFUL<br \/>\nErnie Haase &amp; Signature Sound<\/li>\n<\/ul>\n<h1>LATIN<\/h1>\n<p><strong>41. Best Latin Pop or Urban Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new Latin pop or urban recordings.<\/em><\/p>\n<ul>\n<li>YHLQMDLG<br \/>\nBad Bunny<\/li>\n<li>POR PRIMERA VEZ<br \/>\nCamilo<\/li>\n<li>MESA PARA DOS<br \/>\nKany Garc\u00eda<\/li>\n<li>PAUSA<br \/>\nRicky Martin<\/li>\n<li>3:33<br \/>\nDebi Nova<\/li>\n<\/ul>\n<p><strong>42. Best Latin Rock or Alternative Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new Latin rock or alternative recordings.<\/em><\/p>\n<ul>\n<li>AURA<br \/>\nBajofondo<\/li>\n<li>MONSTRUO<br \/>\nCami<\/li>\n<li>SOBREVOLANDO<br \/>\nCultura Prof\u00e9tica<\/li>\n<li>LA CONQUISTA DEL ESPACIO<br \/>\nFito Paez<\/li>\n<li>MISS COLOMBIA<br \/>\nLido Pimienta<\/li>\n<\/ul>\n<p><strong>43. Best Regional Mexican Music Album (Including Tejano)<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new regional Mexican (banda, norte\u00f1o, corridos, gruperos, mariachi, ranchera and Tejano) recordings.<\/em><\/p>\n<ul>\n<li>HECHO EN M\u00c9XICO<br \/>\nAlejandro Fern\u00e1ndez<\/li>\n<li>LA SERENATA<br \/>\nLupita Infante<\/li>\n<li>UN CANTO POR M\u00c9XICO, VOL. 1<br \/>\nNatalia Lafourcade<\/li>\n<li>BAILANDO SONES Y HUAPANGOS CON MARIACHI SOL DE MEXICO DE JOSE HERNANDEZ<br \/>\nMariachi Sol De Mexico De Jose Hernandez<\/li>\n<li>AYAYAY!<br \/>\nChristian Nodal<\/li>\n<\/ul>\n<p><strong>44. Best Tropical Latin Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new tropical Latin recordings.<\/em><\/p>\n<ul>\n<li>MI TUMBAO<br \/>\nJos\u00e9 Alberto &#8220;El Ruise\u00f1or&#8221;<\/li>\n<li>INFINITO<br \/>\nEdwin Bonilla<\/li>\n<li>SIGO CANTANDO AL AMOR (DELUXE)<br \/>\nJorge Celedon &amp; Sergio Luis<\/li>\n<li><a id=\"13\" name=\"13\"><\/a>40<br \/>\nGrupo Niche<\/li>\n<li>MEMORIAS DE NAVIDAD<br \/>\nV\u00edctor Manuelle<\/li>\n<\/ul>\n<h1>AMERICAN ROOTS MUSIC<\/h1>\n<p><strong>45. Best American Roots Performance<\/strong><br \/>\n<em>For new vocal or instrumental American Roots recordings. \u00a0This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).<\/em><\/p>\n<ul>\n<li>COLORS<br \/>\nBlack Pumas<\/li>\n<li>DEEP IN LOVE<br \/>\nBonny Light Horseman<\/li>\n<li>SHORT AND SWEET<br \/>\nBrittany Howard<\/li>\n<li>I&#8217;LL BE GONE<br \/>\nNorah Jones &amp; Mavis Staples<\/li>\n<li>I REMEMBER EVERYTHING<br \/>\nJohn Prine<\/li>\n<\/ul>\n<p><strong>46. Best American Roots Song<\/strong><br \/>\n<em>A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>CABIN<br \/>\nLaura Rogers &amp; Lydia Rogers, songwriters (The Secret Sisters)<\/li>\n<li>CEILING TO THE FLOOR<br \/>\nSierra Hull &amp; Kai Welch, songwriters (Sierra Hull)<\/li>\n<li>HOMETOWN<br \/>\nSarah Jarosz, songwriter (Sarah Jarosz)<\/li>\n<li>I REMEMBER EVERYTHING<br \/>\nPat McLaughlin &amp; John Prine, songwriters (John Prine)<\/li>\n<li>MAN WITHOUT A SOUL<br \/>\nTom Overby &amp; Lucinda Williams, songwriters (Lucinda Williams)<\/li>\n<\/ul>\n<p><strong>47. Best Americana Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.<\/em><\/p>\n<ul>\n<li>OLD FLOWERS<br \/>\nCourtney Marie Andrews<\/li>\n<li>TERMS OF SURRENDER<br \/>\nHiss Golden Messenger<\/li>\n<li>WORLD ON THE GROUND<br \/>\nSarah Jarosz<\/li>\n<li>EL DORADO<br \/>\nMarcus King<\/li>\n<li>GOOD SOULS BETTER ANGELS<br \/>\nLucinda Williams<\/li>\n<\/ul>\n<p><strong>48. Best Bluegrass Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.<\/em><\/p>\n<ul>\n<li>MAN ON FIRE<br \/>\nDanny Barnes<\/li>\n<li>TO LIVE IN TWO WORLDS, VOL. 1<br \/>\nThomm Jutz<\/li>\n<li>NORTH CAROLINA SONGBOOK<br \/>\nSteep Canyon Rangers<\/li>\n<li>HOME<br \/>\nBilly Strings<\/li>\n<li>THE JOHN HARTFORD FIDDLE TUNE PROJECT, VOL. 1<br \/>\nVarious Artists<\/li>\n<\/ul>\n<p><strong>49. Best Traditional Blues Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.<\/em><\/p>\n<ul>\n<li>ALL MY DUES ARE PAID<br \/>\nFrank Bey<\/li>\n<li>YOU MAKE ME FEEL<br \/>\nDon Bryant<\/li>\n<li>THAT&#8217;S WHAT I HEARD<br \/>\nRobert Cray Band<\/li>\n<li>CYPRESS GROVE<br \/>\nJimmy &#8220;Duck&#8221; Holmes<\/li>\n<li>RAWER THAN RAW<br \/>\nBobby Rush<\/li>\n<\/ul>\n<p><strong>50. Best Contemporary Blues Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.<\/em><\/p>\n<ul>\n<li>HAVE YOU LOST YOUR MIND YET?<br \/>\nFantastic Negrito<\/li>\n<li>LIVE AT THE PARAMOUNT<br \/>\nRuthie Foster Big Band<\/li>\n<li>THE JUICE<br \/>\nG. Love<\/li>\n<li>BLACKBIRDS<br \/>\nBettye LaVette<\/li>\n<li>UP AND ROLLING<br \/>\nNorth Mississippi Allstars<\/li>\n<\/ul>\n<p><strong>51. Best Folk Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental folk recordings.<\/em><\/p>\n<ul>\n<li>BONNY LIGHT HORSEMAN<br \/>\nBonny Light Horseman<\/li>\n<li>THANKS FOR THE DANCE<br \/>\nLeonard Cohen<\/li>\n<li>SONG FOR OUR DAUGHTER<br \/>\nLaura Marling<\/li>\n<li>SATURN RETURN<br \/>\nThe Secret Sisters<\/li>\n<li>ALL THE GOOD TIMES<br \/>\nGillian Welch &amp; David Rawlings<\/li>\n<\/ul>\n<p><strong>52. Best Regional Roots Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.<\/em><\/p>\n<ul>\n<li>MY RELATIVES &#8220;NIKSO KOWAIKS&#8221;<br \/>\nBlack Lodge Singers<\/li>\n<li>CAMERON DUPUY AND THE CAJUN TROUBADOURS<br \/>\nCameron Dupuy And The Cajun Troubadours<\/li>\n<li>LOVELY SUNRISE<br \/>\nN\u0101 Wai \u02bdEh\u0101<\/li>\n<li><a id=\"14\" name=\"14\"><\/a>ATMOSPHERE<br \/>\nNew Orleans Nightcrawlers<\/li>\n<li>A TRIBUTE TO AL BERARD<br \/>\nSweet Cecilia<\/li>\n<\/ul>\n<h1>REGGAE<\/h1>\n<p><strong>53. Best Reggae Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new reggae recordings.<\/em><\/p>\n<ul>\n<li>UPSIDE DOWN 2020<br \/>\nBuju Banton<\/li>\n<li>HIGHER PLACE<br \/>\nSkip Marley<\/li>\n<li>IT ALL COMES BACK TO LOVE<br \/>\nMaxi Priest<\/li>\n<li><a id=\"15\" name=\"15\"><\/a>GOT TO BE TOUGH<br \/>\nToots &amp; The Maytals<\/li>\n<li>ONE WORLD<br \/>\nThe Wailers<\/li>\n<\/ul>\n<h1>GLOBAL MUSIC<\/h1>\n<p><strong>54. Best Global Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.<\/em><\/p>\n<ul>\n<li>FU CHRONICLES<br \/>\nAntibalas<\/li>\n<li>TWICE AS TALL<br \/>\nBurna Boy<\/li>\n<li>AGORA<br \/>\nBebel Gilberto<\/li>\n<li><a id=\"16\" name=\"16\"><\/a>LOVE LETTERS<br \/>\nAnoushka Shankar<\/li>\n<li>AMADJAR<br \/>\nTinariwen<\/li>\n<\/ul>\n<h1>CHILDREN&#8217;S<\/h1>\n<p><strong>55. Best Children&#8217;s Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.<\/em><\/p>\n<ul>\n<li>ALL THE LADIES<br \/>\nJoanie Leeds<\/li>\n<li>BE A PAIN: AN ALBUM FOR YOUNG (AND OLD) LEADERS<br \/>\nAlastair Moock And Friends<\/li>\n<li>I&#8217;M AN OPTIMIST<br \/>\nDog On Fleas<\/li>\n<li><a id=\"17\" name=\"17\"><\/a>SONGS FOR SINGIN&#8217;<br \/>\nThe Okee Dokee Brothers<\/li>\n<li>WILD LIFE<br \/>\nJustin Roberts<\/li>\n<\/ul>\n<h1>SPOKEN WORD<\/h1>\n<p><strong>56. Best Spoken Word Album (Includes Poetry, Audio Books &amp; Storytelling)<\/strong><\/p>\n<ul>\n<li>ACID FOR THE CHILDREN: A MEMOIR<br \/>\nFlea<\/li>\n<li>ALEX TREBEK &#8211; THE ANSWER IS&#8230;<br \/>\nKen Jennings<\/li>\n<li>BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH<br \/>\nRachel Maddow<\/li>\n<li><a id=\"18\" name=\"18\"><\/a>CATCH AND KILL<br \/>\nRonan Farrow<\/li>\n<li>CHARLOTTE&#8217;S WEB (E.B. WHITE)<br \/>\nMeryl Streep (&amp; Full cast)<\/li>\n<\/ul>\n<h1>COMEDY<\/h1>\n<p><strong>57. Best Comedy Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new recordings.<\/em><\/p>\n<ul>\n<li>BLACK MITZVAH<br \/>\nTiffany Haddish<\/li>\n<li>I LOVE EVERYTHING<br \/>\nPatton Oswalt<\/li>\n<li>THE PALE TOURIST<br \/>\nJim Gaffigan<\/li>\n<li><a id=\"19\" name=\"19\"><\/a>PAPER TIGER<br \/>\nBill Burr<\/li>\n<li>23 HOURS TO KILL<br \/>\nJerry Seinfeld<\/li>\n<\/ul>\n<h1>MUSICAL THEATER<\/h1>\n<p><strong>58. Best Musical Theater Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and\/or composed a new score which comprises 51% or more playing time of the album.<\/em><\/p>\n<ul>\n<li>AM\u00c9LIE<br \/>\nAudrey Brisson, Chris Jared, Caolan McCarthy &amp; Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race &amp; Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer &amp; lyricist (Original London Cast)<\/li>\n<li>AMERICAN UTOPIA ON BROADWAY<br \/>\nDavid Byrne, principal soloist; David Byrne, producer (David Byrne, composer &amp; lyricist) (Original Cast)<\/li>\n<li>JAGGED LITTLE PILL<br \/>\nKathryn Gallagher, Celia Rose Gooding, Lauren Patten &amp; Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen &amp; Vivek J. Tiwary, producers (Glen Ballard &amp; Alanis Morissette, lyricists) (Original Broadway Cast)<\/li>\n<li>LITTLE SHOP OF HORRORS<br \/>\nTammy Blanchard, Jonathan Groff &amp; Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken &amp; Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)<\/li>\n<li>THE PRINCE OF EGYPT<br \/>\nChristine Allado, Luke Brady, Alexia Khadime &amp; Liam Tamne, principal soloists; Dominick Amendum &amp; Stephen Schwartz, producers; Stephen Schwartz, composer &amp; lyricist (Original Cast)<\/li>\n<li><a id=\"20\" name=\"20\"><\/a>SOFT POWER<br \/>\nFrancis Jue, Austin Ku, Alyse Alan Louis &amp; Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer &amp; lyricist (Original Cast)<\/li>\n<\/ul>\n<h1>MUSIC FOR VISUAL MEDIA<\/h1>\n<p><strong>59. Best Compilation Soundtrack For Visual Media<\/strong><br \/>\n<em>Award to the artist(s) and\/or \u2018in studio\u2019 producer(s) of a majority of the tracks on the album. \u00a0In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).<\/em><\/p>\n<ul>\n<li>A BEAUTIFUL DAY IN THE NEIGHBORHOOD<br \/>\n(Various Artists)<\/li>\n<li>BILL &amp; TED FACE THE MUSIC<br \/>\n(Various Artists)<\/li>\n<li>EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA<br \/>\n(Various Artists)<\/li>\n<li>FROZEN 2<br \/>\n(Various Artists)<\/li>\n<li>JOJO RABBIT<br \/>\n(Various Artists)<\/li>\n<\/ul>\n<p><strong>60. Best Score Soundtrack For Visual Media<\/strong><br \/>\n<em>Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.<\/em><\/p>\n<ul>\n<li>AD ASTRA<br \/>\nMax Richter, composer<\/li>\n<li>BECOMING<br \/>\nKamasi Washington, composer<\/li>\n<li>JOKER<br \/>\nHildur Gu\u00f0nad\u00f3ttir, composer<\/li>\n<li>1917<br \/>\nThomas Newman, composer<\/li>\n<li>STAR WARS: THE RISE OF SKYWALKER<br \/>\nJohn Williams, composer<\/li>\n<\/ul>\n<p><strong>61. Best Song Written For Visual Media<\/strong><br \/>\n<em>A Songwriter(s) award. For a song (melody &amp; lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BEAUTIFUL GHOSTS [FROM CATS]<br \/>\nAndrew Lloyd Webber &amp; Taylor Swift, songwriters (Taylor Swift)<\/li>\n<li>CARRIED ME WITH YOU [FROM ONWARD]<br \/>\nBrandi Carlile, Phil Hanseroth &amp; Tim Hanseroth, songwriters (Brandi Carlile)<\/li>\n<li>INTO THE UNKNOWN [FROM FROZEN 2]<br \/>\nKristen Anderson-Lopez &amp; Robert Lopez, songwriters (Idina Menzel &amp; AURORA)<\/li>\n<li><a id=\"21\" name=\"21\"><\/a>NO TIME TO DIE [FROM NO TIME TO DIE]<br \/>\nBillie Eilish O&#8217;Connell &amp; Finneas Baird O&#8217;Connell, songwriters (Billie Eilish)<\/li>\n<li>STAND UP [FROM HARRIET]<br \/>\nJoshuah Brian Campbell &amp; Cynthia Erivo, songwriters (Cynthia Erivo)<\/li>\n<\/ul>\n<h1>COMPOSING\/ARRANGING<\/h1>\n<p><strong>62. Best Instrumental Composition<\/strong><br \/>\n<em>A Composer&#8217;s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BABY JACK<br \/>\nArturo O&#8217;Farrill, composer (Arturo O&#8217;Farrill &amp; The Afro Latin Jazz Orchestra)<\/li>\n<li>BE WATER II<br \/>\nChristian Sands, composer (Christian Sands)<\/li>\n<li>PLUMFIELD<br \/>\nAlexandre Desplat, composer (Alexandre Desplat)<\/li>\n<li>SPUTNIK<br \/>\nMaria Schneider, composer (Maria Schneider)<\/li>\n<li>STRATA<br \/>\nRemy Le Boeuf, composer (Remy Le Boeuf&#8217;s Assembly Of Shadows Featuring Anna Webber &amp; Eric Miller)<\/li>\n<\/ul>\n<p><strong>63. Best Arrangement, Instrumental or A Cappella<\/strong><br \/>\n<em>An Arranger&#8217;s Award. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BATHROOM DANCE<br \/>\nHildur Gu\u00f0nad\u00f3ttir, arranger (Hildur Gu\u00f0nad\u00f3ttir)<\/li>\n<li>DONNA LEE<br \/>\nJohn Beasley, arranger (John Beasley)<\/li>\n<li>HONEYMOONERS<br \/>\nRemy Le Boeuf, arranger (Remy Le Boeuf&#8217;s Assembly Of Shadows)<\/li>\n<li>LIFT EVERY VOICE AND SING<br \/>\nAlvin Chea &amp; Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)<\/li>\n<li>URANUS: THE MAGICIAN<br \/>\nJeremy Levy, arranger (Jeremy Levy Jazz Orchestra)<\/li>\n<\/ul>\n<p><strong>64. Best Arrangement, Instruments and Vocals<\/strong><br \/>\n<em>An Arranger&#8217;s Award. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>ASAS FECHADAS<br \/>\nJohn Beasley &amp; Maria Mendes, arrangers (Maria Mendes Featuring John Beasley &amp; Orkest Metropole)<\/li>\n<li>DESERT SONG<br \/>\nErin Bentlage, Sara Gazarek, Johnaye Kendrick &amp; Amanda Taylor, arrangers (S\u00e4je)<\/li>\n<li>FROM THIS PLACE<br \/>\nAlan Broadbent &amp; Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)<\/li>\n<li>HE WON&#8217;T HOLD YOU<br \/>\nJacob Collier, arranger (Jacob Collier Featuring Rapsody)<\/li>\n<li><a id=\"22\" name=\"22\"><\/a>SLOW BURN<br \/>\nTalia Billig, Nic Hard &amp; Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski &amp; Nate Werth)<\/li>\n<\/ul>\n<h1>PACKAGE<\/h1>\n<p><strong>65. Best Recording Package<\/strong><\/p>\n<ul>\n<li>EVERYDAY LIFE<br \/>\nPilar Zeta, art director (Coldplay)<\/li>\n<li>FUNERAL<br \/>\nKyle Goen, art director (Lil Wayne)<\/li>\n<li>HEALER<br \/>\nJulian Gross &amp; Hannah Hooper, art directors (Grouplove)<\/li>\n<li>ON CIRCLES<br \/>\nJordan Butcher, art director (Caspian)<\/li>\n<li>VOLS. 11 &amp; 12<br \/>\nDoug Cunningham &amp; Jason Noto, art directors (Desert Sessions)<\/li>\n<\/ul>\n<p><strong>66. Best Boxed Or Special Limited Edition Package<\/strong><\/p>\n<ul>\n<li>FLAMING PIE (COLLECTOR&#8217;S EDITION)<br \/>\nLinn Wie Andersen, Simon Earith, Paul McCartney &amp; James Musgrave, art directors (Paul McCartney)<\/li>\n<li>GIANTS STADIUM 1987, 1989, 1991<br \/>\nLisa Glines &amp; Doran Tyson, art directors (Grateful Dead)<\/li>\n<li>MODE<br \/>\nJeff Schulz, art director (Depeche Mode)<\/li>\n<li>ODE TO JOY<br \/>\n<a id=\"23\" name=\"23\"><\/a>Lawrence Azerrad &amp; Jeff Tweedy, art directors (Wilco)<\/li>\n<li>THE STORY OF GHOSTLY INTERNATIONAL<br \/>\nMichael Cina &amp; Molly Smith, art directors (Various Artists)<\/li>\n<\/ul>\n<h1>NOTES<\/h1>\n<p><strong>67. Best Album Notes<\/strong><\/p>\n<ul>\n<li>AT THE MINSTREL SHOW: MINSTREL ROUTINES FROM THE STUDIO, 1894-1926<br \/>\nTim Brooks, album notes writer (Various Artists)<\/li>\n<li>THE BAKERSFIELD SOUND: COUNTRY MUSIC CAPITAL OF THE WEST, 1940-1974<br \/>\nScott B. Bomar, album notes writer (Various Artists)<\/li>\n<li>DEAD MAN&#8217;S POP<br \/>\nBob Mehr, album notes writer (The Replacements)<\/li>\n<li>THE MISSING LINK: HOW GUS HAENSCHEN GOT US FROM JOPLIN TO JAZZ AND SHAPED THE MUSIC BUSINESS<br \/>\n<a id=\"24\" name=\"24\"><\/a>Colin Hancock, album notes writer (Various Artists)<\/li>\n<li>OUT OF A CLEAR BLUE SKY<br \/>\nDavid Sager, album notes writer (Nat Brusiloff)<\/li>\n<\/ul>\n<h1>HISTORICAL<\/h1>\n<p><strong>68. Best Historical Album<\/strong><\/p>\n<ul>\n<li>CELEBRATED, 1895-1896<br \/>\nMeagan Hennessey &amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)<\/li>\n<li>HITTIN&#8217; THE RAMP: THE EARLY YEARS (1936 &#8211; 1943)<br \/>\nZev Feldman, Will Friedwald &amp; George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)<\/li>\n<li>IT&#8217;S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS<br \/>\nLee Lodyga &amp; Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)<\/li>\n<li>1999 SUPER DELUXE EDITION<br \/>\nMichael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)<\/li>\n<li>SOUVENIR<br \/>\n<a id=\"25\" name=\"25\"><\/a>Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)<\/li>\n<li>THROW DOWN YOUR HEART: THE COMPLETE AFRICA SESSIONS<br \/>\nB\u00e9la Fleck, compilation producer; Richard Dodd, mastering engineer (B\u00e9la Fleck)<\/li>\n<\/ul>\n<h1>PRODUCTION, NON-CLASSICAL<\/h1>\n<p><strong>69. Best Engineered Album, Non-Classical<\/strong><br \/>\nAn Engineer&#8217;s Award. (Artists names appear in parentheses.)<\/p>\n<ul>\n<li>BLACK HOLE RAINBOW<br \/>\nShawn Everett &amp; Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)<\/li>\n<li>EXPECTATIONS<br \/>\nGary Paczosa &amp; Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)<\/li>\n<li>HYPERSPACE<br \/>\nDrew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua &amp; Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)<\/li>\n<li>JAIME<br \/>\nShawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)<\/li>\n<li>25 TRIPS<br \/>\nShani Gandhi &amp; Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)<\/li>\n<\/ul>\n<p><strong>70. Producer Of The Year, Non-Classical<\/strong>\u200b<\/p>\n<ul>\n<li>JACK ANTONOFF<\/li>\n<\/ul>\n<p><small>\u2022 August (Taylor Swift) (T)<br \/>\n\u2022\u00a0Gaslighter (The Chicks) (A)<br \/>\n\u2022\u00a0Holy Terrain (FKA Twigs Featuring Future) (T)<br \/>\n\u2022\u00a0Mirrorball (Taylor Swift) (T)<br \/>\n\u2022\u00a0This Is Me Trying (Taylor Swift) (T)<br \/>\n\u2022\u00a0Together (Sia) (S)<\/small><\/p>\n<ul>\n<li>DAN AUERBACH<\/li>\n<\/ul>\n<p><small>\u2022\u00a0Cypress Grove (Jimmy &#8220;Duck&#8221; Holmes) (A)<br \/>\n\u2022\u00a0El Dorado (Marcus King) (A)<br \/>\n\u2022\u00a0Is Thomas Callaway (CeeLo Green) (A)<br \/>\n\u2022\u00a0Singing For My Supper (Early James) (A)<br \/>\n\u2022\u00a0Solid Gold Sounds (Kendell Marvel) (A)<br \/>\n\u2022\u00a0Years (John Anderson) (A<\/small><\/p>\n<ul>\n<li>DAVE COBB<\/li>\n<\/ul>\n<p><small>\u2022\u00a0Backbone (Kaleo) (S)<br \/>\n\u2022\u00a0The Balladeer (Lori McKenna) (A)<br \/>\n\u2022\u00a0Boneshaker (Airbourne) (A)<br \/>\n\u2022\u00a0Down Home Christmas (Oak Ridge Boys) (A)<br \/>\n\u2022\u00a0The Highwomen (The Highwomen) (A)<br \/>\n\u2022\u00a0I Remember Everything (John Prine) (S)<br \/>\n\u2022\u00a0Reunions (Jason Isbell And The 400 Unit) (A)<br \/>\n\u2022 The Spark (William Prince) (S)<br \/>\n\u2022\u00a0You&#8217;re Still The One (Teddy Swims) (S)<\/small><\/p>\n<ul>\n<li>FLYING LOTUS<\/li>\n<\/ul>\n<p><small>\u2022\u00a0It Is What It Is (Thundercat) (A)<\/small><\/p>\n<ul>\n<li>ANDREW WATT<\/li>\n<\/ul>\n<p><small>\u2022\u00a0Break My Heart (Dua Lipa) (T)<br \/>\n\u2022\u00a0Me And My Guitar (A Boogie Wit Da Hoodie) (T)<br \/>\n\u2022\u00a0Midnight Sky (Miley Cyrus) (S)<br \/>\n\u2022\u00a0Old Me (5 Seconds Of Summer) (T)<br \/>\n\u2022\u00a0Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)<br \/>\n\u2022\u00a0Take What You Want (Post Malone Featuring Ozzy Osbourne &amp; Travis Scott) (T)<br \/>\n\u2022\u00a0Under The Graveyard (Ozzy Osbourne) (T)<\/small><\/p>\n<p><strong>71. Best Remixed Recording<\/strong><br \/>\n<em>A Remixer&#8217;s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>DO YOU EVER (RAC MIX)<br \/>\nRAC, remixer (Phil Good)<\/li>\n<li>IMAGINARY FRIENDS (MORGAN PAGE REMIX)<br \/>\nMorgan Page, remixer (Deadmau5)<\/li>\n<li>PRAYING FOR YOU (LOUIE VEGA MAIN REMIX)<br \/>\nLouie Vega, remixer (Jasper Street Co.)<\/li>\n<li>ROSES (IMANBEK REMIX)<br \/>\nImanbek Zeikenov, remixer (SAINt JHN)<\/li>\n<li>YOUNG &amp; ALIVE (BAZZI VS. HAYWYRE REMIX)<br \/>\nHaywyre, remixer (Bazzi)<\/li>\n<\/ul>\n<h1>PRODUCTION, IMMERSIVE AUDIO<\/h1>\n<p><strong>72. Best Immersive Audio Album<\/strong><br \/>\n<em>Due the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are\u00a0<a id=\"27\" name=\"27\"><\/a>able\u00a0to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category<\/em><\/p>\n<h1>PRODUCTION, CLASSICAL<\/h1>\n<p><strong>73. Best Engineered Album, Classical<\/strong><br \/>\n<em>An Engineer&#8217;s Award. (Artist names appear in parentheses.)<\/em><\/p>\n<ul>\n<li>DANIELPOUR: THE PASSION OF YESHUA<br \/>\nBernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra &amp; Buffalo Philharmonic Chorus)<\/li>\n<li>GERSHWIN: PORGY AND BESS<br \/>\nDavid Frost &amp; John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra &amp; Chorus)<\/li>\n<li>HYNES: FIELDS<br \/>\nKyle Pyke, engineer; Jesse Lewis &amp; Kyle Pyke, mastering engineers (Devont\u00e9 Hynes &amp; Third Coast Percussion)<\/li>\n<li>IVES: COMPLETE SYMPHONIES<br \/>\nAlexander Lipay &amp; Dmitriy Lipay, engineers; Alexander Lipay &amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel &amp; Los Angeles Philharmonic)<\/li>\n<li>SHOSTAKOVICH: SYMPHONY NO. 13, &#8216;BABI YAR&#8217;<br \/>\nDavid Frost &amp; Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti &amp; Chicago Symphony Orchestra)<\/li>\n<\/ul>\n<p><strong>74. Producer Of The Year, Classical<\/strong><br \/>\nA Producer&#8217;s Award. (Artist names appear in parentheses.)<\/p>\n<ul>\n<li>BLANTON ALSPAUGH<\/li>\n<\/ul>\n<p><small>\u2022 Aspects Of America &#8211; Pulitzer Edition (Carlos Kalmar &amp; Oregon Symphony)<br \/>\n\u2022 Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov &amp; PaTRAM Institute Singers)<br \/>\n\u2022 Dvo\u0159\u00e1k: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda &amp; National Symphony Orchestra)<br \/>\n\u2022 Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher &amp; Wolf Trap Opera)<br \/>\n\u2022 Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar &amp; Oregon Symphony)<br \/>\n\u2022 Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale &amp; Orchestra Of St. Luke&#8217;s)<br \/>\n\u2022 Massenet: Tha\u00efs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir &amp; Toronto Symphony Orchestra)<br \/>\n\u2022 Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly &amp; Experiential Orchestra)<br \/>\n\u2022 Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz &amp; Choir Of Trinity Wall Street)<\/small><\/p>\n<ul>\n<li>DAVID FROST<\/li>\n<\/ul>\n<p><small>\u2022 Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)<br \/>\n\u2022 Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra &amp; Chorus)<br \/>\n\u2022 Gluck: Orph\u00e9e &amp; Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra &amp; Chorus)<br \/>\n\u2022 Holst: The Planets; The Perfect Fool (Michael Stern &amp; Kansas City Symphony)<br \/>\n\u2022 Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra &amp; Chorus)<br \/>\n\u2022 Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)<br \/>\n\u2022 Shostakovich: Symphony No. 13, &#8216;Babi Yar&#8217; (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra &amp; Chorus)<\/small><\/p>\n<ul>\n<li>JESSE LEWIS<\/li>\n<\/ul>\n<p><small>\u2022 Gunn: The Ascendant (Roomful Of Teeth)<br \/>\n\u2022 Harrison, M.: Just Constellations (Roomful Of Teeth)<br \/>\n\u2022 Her Own Wings (Willamette Valley Chamber Music Festival)<br \/>\n\u2022 Hynes: Fields (Devont\u00e9 Hynes &amp; Third Coast Percussion)<br \/>\n\u2022 Lang, D.: Love Fail (Beth Willer &amp; Lorelei Ensemble)<br \/>\n\u2022 Mazzoli: Proving Up (Christopher Rountree, Opera Omaha &amp; International Contemporary Ensemble)<br \/>\n\u2022 Sharlat: Spare The Rod! (NOW Ensemble)<br \/>\n\u2022 Soul House (Hub New Music)<br \/>\n\u2022 Wherein Lies The Good (The Westerlies)<\/small><\/p>\n<ul>\n<li>DMITRIY LIPAY<\/li>\n<\/ul>\n<p><small>\u2022\u00a0Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel &amp; Los Angeles Philharmonic)<br \/>\n\u2022 Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes &amp; Music Of Remembrance)<br \/>\n\u2022 Ives: Complete Symphonies (Gustavo Dudamel &amp; Los Angeles Philharmonic)<br \/>\n\u2022 LA Phil 100 &#8211; The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel &amp; Los Angeles Philharmonic)<br \/>\n\u2022 Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard &amp; Seattle Symphony Orchestra)<br \/>\n\u2022 Nielsen: Symphony No. 1 &amp; Symphony No. 2, &#8216;The Four Temperaments&#8217; (Thomas Dausgaard &amp; Seattle Symphony)<\/small><\/p>\n<ul>\n<li>ELAINE MARTONE<\/li>\n<\/ul>\n<p><small><a id=\"28\" name=\"28\"><\/a>\u2022 Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman &amp; Taylor Branch)<br \/>\n\u2022 Dawn (Shachar Israel)<br \/>\n\u2022 Gandolfi, Prior &amp; Oliverio: Orchestral Works (Robert Spano &amp; Atlanta Symphony Orchestra)<br \/>\n\u2022 Singing In The Dead Of Night (Eighth Blackbird)<br \/>\n\u2022 Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon &amp; Los Angeles Master Chorale)<\/small><\/p>\n<h1>CLASSICAL<\/h1>\n<p><strong>75. Best Orchestral Performance<\/strong><br \/>\n<em>Award to the Conductor and to the Orchestra.<\/em><\/p>\n<ul>\n<li>ASPECTS OF AMERICA &#8211; PULITZER EDITION<br \/>\nCarlos Kalmar, conductor (Oregon Symphony)<\/li>\n<li>CONCURRENCE<br \/>\nDan\u00edel Bjarnason, conductor (Iceland Symphony Orchestra)<\/li>\n<li>COPLAND: SYMPHONY NO. 3<br \/>\nMichael Tilson Thomas, conductor (San Francisco Symphony)<\/li>\n<li>IVES: COMPLETE SYMPHONIES<br \/>\nGustavo Dudamel, conductor (Los Angeles Philharmonic)<\/li>\n<li>LUTOS\u0142AWSKI: SYMPHONIES NOS. 2 &amp; 3<br \/>\nHannu Lintu, conductor (Finnish Radio Symphony Orchestra)<\/li>\n<\/ul>\n<p><strong>76. Best Opera Recording<\/strong><br \/>\n<em>Award to the Conductor, Album Producer(s) and Principal Soloists.<\/em><\/p>\n<ul>\n<li>DELLO JOIO: THE TRIAL AT ROUEN<br \/>\nGil Rose, conductor; Heather Buck &amp; Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)<\/li>\n<li>FLOYD, C.: PRINCE OF PLAYERS<br \/>\nWilliam Boggs, conductor; Keith Phares &amp; Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)<\/li>\n<li>GERSHWIN: PORGY AND BESS<br \/>\nDavid Robertson, conductor; Angel Blue &amp; Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)<\/li>\n<li>HANDEL: AGRIPPINA<br \/>\nMaxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D&#8217;Oro)<\/li>\n<li>ZEMLINSKY: DER ZWERG<br \/>\nDonald Runnicles, conductor; David Butt Philip &amp; Elena Tsallagova; Peter Ghirardini &amp; Erwin St\u00fcrzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)<\/li>\n<\/ul>\n<p><strong>77. Best Choral Performance<\/strong><br \/>\n<em>Award to the Conductor, and to the Choral Director and\/or Chorus Master where applicable and to the Choral Organization\/Ensemble.<\/em><\/p>\n<ul>\n<li>CARTHAGE<br \/>\nDonald Nally, conductor (The Crossing)<\/li>\n<li>DANIELPOUR: THE PASSION OF YESHUAH<br \/>\nJoAnn Falletta, conductor; James K. Bass &amp; Adam Luebke, chorus masters (James K. Bass, J&#8217;Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann &amp; Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus &amp; UCLA Chamber Singers)<\/li>\n<li>KASTALSKY: REQUIEM<br \/>\nLeonard Slatkin, conductor; Charles Bruffy, Steven Fox &amp; Benedict Sheehan, chorus masters (Joseph Charles Beutel &amp; Anna Dennis; Orchestra Of St. Luke&#8217;s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale &amp; The Saint Tikhon Choir)<\/li>\n<li>MORAVEC: SANCTUARY ROAD<br \/>\nKent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather &amp; Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)<\/li>\n<li>ONCE UPON A TIME<br \/>\nMatthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)<\/li>\n<\/ul>\n<p><strong>78. Best Chamber Music\/Small Ensemble Performance<\/strong><br \/>\n<em>For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.<\/em><\/p>\n<ul>\n<li>CONTEMPORARY VOICES<br \/>\nPacifica Quartet<\/li>\n<li>HEALING MODES<br \/>\nBrooklyn Rider<\/li>\n<li>HEARNE, T.: PLACE<br \/>\nTed Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods &amp; Place Orchestra<\/li>\n<li>HYNES: FIELDS<br \/>\nDevont\u00e9 Hynes &amp; Third Coast Percussion<\/li>\n<li>THE SCHUMANN QUARTETS<br \/>\nDover Quartet<\/li>\n<\/ul>\n<p><strong>79. Best Classical Instrumental Solo<\/strong><br \/>\n<em>Award to the Instrumental Soloist(s) and to the Conductor when applicable.<\/em><\/p>\n<ul>\n<li>AD\u00c8S: CONCERTO FOR PIANO AND ORCHESTRA<br \/>\nKirill Gerstein; Thomas Ad\u00e8s, conductor (Boston Symphony Orchestra)<\/li>\n<li>BEETHOVEN: COMPLETE PIANO SONATAS<br \/>\nIgor Levit<\/li>\n<li>BOHEMIAN TALES<br \/>\nAugustin Hadelich; Jakub Hr\u016f\u0161a, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)<\/li>\n<li>DESTINATION RACHMANINOV &#8211; ARRIVAL<br \/>\nDaniil Trifonov; Yannick N\u00e9zet-S\u00e9guin, conductor (The Philadelphia Orchestra)<\/li>\n<li>THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA<br \/>\nRichard O&#8217;Neill; David Alan Miller, conductor (Albany Symphony)<\/li>\n<\/ul>\n<p><strong>80. Best Classical Solo Vocal Album<\/strong><br \/>\n<em>Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers\/Mixers with 51% or more playing time of new material.<\/em><\/p>\n<ul>\n<li>AMERICAN COMPOSERS AT PLAY &#8211; WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO<br \/>\nStephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich &amp; Jason Vieaux)<\/li>\n<li>CLAIRI\u00c8RES &#8211; SONGS BY LILI &amp; NADIA BOULANGER<br \/>\nNicholas Phan; Myra Huang, accompanist<\/li>\n<li>FARINELLI<br \/>\nCecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)<\/li>\n<li>A LAD&#8217;S LOVE<br \/>\nBrian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley &amp; Ben Russell)<\/li>\n<li>SMYTH: THE PRISON<br \/>\nSarah Brailey &amp; Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)<\/li>\n<\/ul>\n<p><strong>81. Best Classical Compendium<\/strong><br \/>\n<em>Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.<\/em><\/p>\n<ul>\n<li>AD\u00c8S CONDUCTS AD\u00c8S<br \/>\nMark Stone &amp; Christianne Stotijn; Thomas Ad\u00e8s, conductor; Nick Squire, producer<\/li>\n<li>SAARIAHO: GRAAL TH\u00c9\u00c2TRE; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN<br \/>\nCl\u00e9ment Mao-Takacs, conductor; Hans Kipfer, producer<\/li>\n<li>SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO<br \/>\nJos\u00e9 Serebrier, conductor; Jens Braun, producer<\/li>\n<li>THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK &amp; MEDITATIONS ON RILKE<br \/>\nIsabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer<\/li>\n<li>WOOLF, L.P.: FIRE AND FLOOD<br \/>\nMatt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer<\/li>\n<\/ul>\n<p><strong>82. Best Contemporary Classical Composition<\/strong><br \/>\n<em>A Composer&#8217;s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.<\/em><\/p>\n<ul>\n<li>AD\u00c8S: CONCERTO FOR PIANO AND ORCHESTRA<br \/>\nThomas Ad\u00e8s, composer (Kirill Gerstein, Thomas Ad\u00e8s &amp; Boston Symphony Orchestra)<\/li>\n<li>DANIELPOUR: THE PASSION OF YESHUA<br \/>\nRichard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra &amp; Buffalo Philharmonic Chorus)<\/li>\n<li>FLOYD, C.: PRINCE OF PLAYERS<br \/>\nCarlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus &amp; Milwaukee Symphony Orchestra)<\/li>\n<li><a id=\"29\" name=\"29\"><\/a>HEARNE, T.: PLACE<br \/>\nTed Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods &amp; Place Orchestra)<\/li>\n<li>ROUSE: SYMPHONY NO. 5<br \/>\nChristopher Rouse, composer (Giancarlo Guerrero &amp; Nashville Symphony)<\/li>\n<\/ul>\n<h1>MUSIC VIDEO\/FILM<\/h1>\n<p><strong>83. Best Music Video<\/strong><br \/>\n<em>Award to the artist, video director, and video producer.<\/em><\/p>\n<ul>\n<li>BROWN SKIN GIRL<br \/>\nBeyonc\u00e9<br \/>\nBeyonc\u00e9 Knowles-Carter &amp; Jenn Nkiru, video directors; Lauren Baker, Astrid Edwards, Nathan Scherrer &amp; Erinn Williams, video producers<\/li>\n<li>LIFE IS GOOD<br \/>\nFuture Featuring Drake<br \/>\nJulien Christian Lutz, video director; Harv Glazer, video producer<\/li>\n<li>LOCKDOWN<br \/>\nAnderson .Paak<br \/>\nDave Meyers, video director; Nathan Scherrer, video producer<\/li>\n<li>ADORE YOU<br \/>\nHarry Styles<br \/>\nDave Meyers, video director; Nathan Scherrer, video producer<\/li>\n<li>GOLIATH<br \/>\nWoodkid<br \/>\nYoann Lemoine, video director<\/li>\n<\/ul>\n<p><strong>84. Best Music Film<\/strong><br \/>\n<em>For concert\/performance films or music documentaries. Award to the artist, video director, and video producer.<\/em><\/p>\n<ul>\n<li>BEASTIE BOYS STORY<br \/>\nBeastie Boys<br \/>\nSpike Jonze, video director; Amanda Adelson, Jason Baum &amp; Spike Jonze, video producers<\/li>\n<li>BLACK IS KING<br \/>\nBeyonc\u00e9<\/li>\n<li>WE ARE FREESTYLE LOVE SUPREME<br \/>\nFreestyle Love Supreme<br \/>\nAndrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart &amp; Jon Steingart, video producers<\/li>\n<li>LINDA RONSTADT: THE SOUND OF MY VOICE<br \/>\nLinda Ronstadt<br \/>\nRob Epstein &amp; Jeffrey Friedman, video directors; Michele Farinola &amp; James Keach, video producers<\/li>\n<li>THAT LITTLE OL&#8217; BAND FROM TEXAS<br \/>\nZZ Top<br \/>\nSam Dunn, video director; Scot McFadyen, video producer<\/li>\n<\/ul>\n"}],"block_type":"image-content","thumbnail_size":"height-4","image_thumbnail":{"ID":955,"id":955,"title":"Grammys","filename":"Grammys.jpg","filesize":114397,"url":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys.jpg","link":"https:\/\/umusic.ie\/backend\/music-news\/grammy-nominations-2021-the-full-list\/grammys\/","alt":"Grammys 2021","author":"3","description":"","caption":"","name":"grammys","status":"inherit","uploaded_to":954,"date":"2020-11-25 11:35:59","modified":"2020-11-25 11:36:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/umusic.ie\/backend\/wp-includes\/images\/media\/default.png","width":1642,"height":924,"sizes":{"thumbnail":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-300x169.jpg","medium-width":300,"medium-height":169,"medium_large":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-768x432.jpg","medium_large-width":525,"medium_large-height":295,"large":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-1024x576.jpg","large-width":525,"large-height":295,"1536x1536":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-1536x864.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys.jpg","2048x2048-width":1642,"2048x2048-height":924,"twentyseventeen-featured-image":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys.jpg","twentyseventeen-featured-image-width":1642,"twentyseventeen-featured-image-height":924,"twentyseventeen-thumbnail-avatar":"https:\/\/umusic.ie\/backend\/wp-content\/uploads\/2020\/11\/Grammys-100x100.jpg","twentyseventeen-thumbnail-avatar-width":100,"twentyseventeen-thumbnail-avatar-height":100}},"display_tag":false,"related":false,"tag_color":"","meta_description":"","social_share_image":false},"_links":{"self":[{"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/music-news\/954"}],"collection":[{"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/music-news"}],"about":[{"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/types\/music-news"}],"wp:attachment":[{"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/media?parent=954"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/tags?post=954"},{"taxonomy":"category_post","embeddable":true,"href":"https:\/\/umusic.ie\/backend\/wp-json\/wp\/v2\/category_post?post=954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}